no emoji in the world can replace the depth of :/
I apologize if this comes off as disrespectful to Michael Brown or Trayvon Martin. Or their families. Or YOU, the reader. I’m not about that. That’s not why I drew this.
I am just really freaked out that 40% of Americans (and 47% of White Americans) do not think that the killings and violence in Ferguson ‘raise any racial issues.’ Fellow White Persons, this is our chance to learn. This is our chance to change.
When Trayvon Martin was murdered because Full Grown Men in America are frightened to violence by the presence black children, the dialogue turned very quickly into a conversation about gun control.
And gun control is an issue that deserves our attention.
But it won’t change the massive poverty in Black America. The arrest rate. The education statistics. The institutional, systemic, casual, and passive racism that plagues our country.
And it wouldn’t have saved Michael Brown.
Anyway. I’m sorry if this comes off as disrespectful or insincere or preachy. I’m sorry if my execution (or personality) gets in the way of what I’m trying to say. I am an imperfect artist, an imperfect person, and I am, undoubtedly, blinded to a million things by my own glaring whiteness. So this might be… Lord, this might be awful. I’m so sorry if it’s awful. Really.
But. I just keep thinking… Look, my wife is pregnant with our first child. A boy. We’re nervous, we’re excited, we’re SO ANXIOUS because what the hell do you do with babies? WE don’t know. But if we were a black family… in this country… we would be so terrified. Because we live in a nation that murders the children of black parents, puts it on the news WITH RIOTS AND TEAR GAS as decoration, and still half of us don’t even see it as a problem. Can you imagine that? Can you imagine bringing a child into that reality, to face the odds we lay out for black kids?
That would break me. I’ve never known anything like that. No one should ever know anything like that.
So let’s talk to our friends about race. Lets talk to our families. And when actual victims of racism try to tell us what’s going on in, say, a peaceful community protest as they are being gassed and shot at by cops WE SHOULD LISTEN TO AND BELIEVE THEM. Let’s talk to each other about this until we are all on the same page.
And then let’s turn the damn page.
Some harsh but very very true words
When people let me review their portfolios (on career day or open days at my game design school) I explicitly ban them from commenting during the review… …because otherwise they will follow the impulse to downplay everything I see in an attempt at being humble.
"this is an old image…"
"I’m not happy with that one…"
"this is just a sketch…"
"I did this really quickly…"
"there is better stuff on later pages…"
It’s totally understandable to have those impulses. The quality of art is not empirical data and therefore impossible to measure. Good art, bad art, it all comes down to standards. And you don’t want to come off as naive or self-absorbed.
But just don’t do it. Don’t talk yourself down in front of others. In the best case you have someone supportive who now thinks “damn, this person needs to be prepped up all the time. Do I really want to work with somebody like that” or in worst case “now that you say it, yeah, this is kinda lame/rushed/unfinished/lazy, go away.”
You can only submit what you have. If that is not enough, then it’s not enough. Your attitude will not change that. But if it is enough, you can do serious harm by not being confident of who you are now.
This means appreciating what you are able to do right now and have a clear vision of what you want to learn, be confident that you will learn it in time.
This is really important. Eliminate this urge. Eliminate it professionally, when having contact with people in a position to buy your work. Eliminate it socially, when you just share your work for fun. Destroy this urge as thoroughly as you possibly can.
Because when you have done that, you’ll find that you feel at least 25% less shitty about your own work. You lose the urge to do it. You stop reinforcing those negative thoughts, and they retreat. They may never go away completely (although they might!) but this is good practice for ignoring those thoughts flat-out.
Don’t shit-talk yourself. Even if you can’t be SO PROUD, don’t ever try to influence anyone’s opinion toward your work in the negative.
Try to love your work. Try to see what you learned from each piece, even if it’s a failure. If you feel that you learned nothing, appreciate the fact that just spending time on it is honing your skills and giving you valuable practice.
i used to be super not-confident in my own work. When I stopped pointing out the flaws in my own stuff, I felt better about it almost immediately.
thing 4 school
The harp is really one of the most elegant, feminine instruments. I love it.
you know how when you go to a concert or show of some sort and the person on stage is like “HOW’S EVERYONE DOING TONIGHT?!?!?!?!” and the audience cheers back? why? you’re not answering the question, you’re just yelling. imagine if we did that in daily conversation. “hey jeff, how are ya?” and jeff just starts screaming and clapping in your face
Phrases and idioms that we still use, which were coined by William Shakespeare.
yoooo what i need by tomorrow
THANK YOU THANK YOU THANK YOU
Reblogging for any of my followers who need this. :)
i dont actually know what any of your icons are i just recognize the colors and patterns
“The character design of Flynn came from the process which was called the “hot man meeting” by Nathan Greno and Byron Howard, during which they set up a meeting with all of the female employees of the studio in one room and asked them for their opinions of what made a man good looking in order to create Flynn’s character design with features such as eye color, hair color and style and body type. Video footage showed concept art and photos of various male celebrities, including Johnny Depp, Hugh Jackman, Brad Pitt, David Beckham and Gene Kelly on the walls of the room. Director Byron Howard said they wanted to make Flynn “the most handsome, most attractive male lead Disney has ever had.”
"The hot man meeting" is now my second favorite animation design story, after the one about how Pixar animators working on the Dug team for Up had “fat dog day” where they basically went to a shelter and were like “please bring out your fattest dogs,” and then they hung out with the fattest jolliest available dogs, all day.
man would i love to be a pixar animator
Don’t forget Brave’s Kilt Fridays where all the animators wore kilts to work every friday during production.
This is why I want to work for these fun guys